Born in Barcelona, I completed my violin studies with the highest grades in Barcelona Conservatory. Then studied baroque violin in Toulouse Conservatory and played professionally in baroque orchestras. Having played next to important singers planted a seed of wanting to be on stage with my voice. I began vocal training in Barcelona with Maestro Jorge Sirena and took lessons with Richard Levitt, David Mason and Rosa Domínguez.
While living in Germany, a successful BachwocheStuttgart in 2013 made me one of Helmut Rilling's Alto soloists, singing J.S. Bach’s Passions, Cantatas and Mass in b minor in concert halls like: Moscow Tchaikovsky’s, Hong Kong City Hall, Weimar Stadtkirche and Leipzig Thomaskirche among others.
Conductor Sigiswald Kuijken also invited me to perform J.S. Bach Repertoire on tour in Concertgebouw Amsterdam and Japan. I’m one of the principal soloists in Kay Johannsen‘s Ensemble BachVokal Stuttgart and I keep being invited by conductors like Martin Gester and Jordi Savall.
My debut with the Spanish National Orchestra to sing l’Atlantida by Manuel de Falla was the beginning of my operatic career. That was an invitation by one of my mentors, conductor Josep Pons.
~ Berlioz’ Benvenuto Cellini, a production of Terry Gilliam, my debut at the Gran Teatre del Liceu in the role of Ascanio.
~ At the Savonlinna Festival as Enrichetta de Francia
in Bellini’s I Puritani.
~ Siebel in Gounod’s Faust at Teatro Campoamor.
~ The funny Cofieta in Ifigenia en Tracia by José de Nebra and Retablo de Maese Pedro by M. de Falla recently
as Trujamán at Madrid’s Teatro de la Zarzuela.
~ Eduige was my debut at Teatro Real in G.F. Handel’s Rodelinda under Ivor Bolton‘s conducting. Also in Opéra de Lyon conducted by Stefano Montanari and in
Opéra de Caen with Emmanuelle Haïm.
~ Annio in La clemenza di Tito at the Liceu is the role that convinced composer Raquel García-Tomás to propose me the main role of her next opera at Liceu: Alexina B. This production became a wonderful turning point in my career with great success. Since Alexina B.
I’ve been proposed to sing challenging roles like:
~ Krjistina in M. Weinberg’s Passagierin at Teatro Real. ~ Alcina in Francesca Caccini’s first opera conducted by
Aaron Zapico at Teatros del Canal/Teatro Real.
~ Dargelos/Agathe in Phillip Glass’ Les enfants terribles
in Sevilla Opera Festival.
~ And brand new works by composers like Jesús Torres, Francesc Prat and lately José María Sánchez-Verdú by whom I’ve sung “Cancionero de Juana la loca” with Antwerpen Symphony Orchestra and with RTVE at Madrid’s Teatro Monumental.
Conducted by Gustavo Dudamel I sung Beethoven’s 9th Symphony with whom I also performed at the Peralada Festival next to Gustav Mahler Chamber Orchestra F. Mendelssohn’s Midsummer’s night dream. Together with wonderful harp player Manuel Vilas, I regularly sing Spanish secular music (Tonos Humanos) from 17th century on recital. A recording was made with label Naxos. Under the baton of Jordi Savall I recorded and performed Medieval music from the Spanish jewel Codex Las Huelgas. I also recorded with the BBC Symphony Orchestra the role of Pepa in Goyescas by Enrique Granados, for the record label Harmonia Mundi.
~ “Cancionero de Juana la loca” by José María Sánchez-Verdú at Madrid’s Teatro Monumental with RTVE the
19th and 20th of March 2026.
~ J.S.Bach Cantata BWV170 next to wonderful Orquestra Barroca Catalana conducted by Manfred Kremer
the 30th and 31st of May.
~ Die Passagierin on tour with Birmingham symphony orchestra in Vienna Musikverein, Dortmund Konzerthaus and
Hamburg Elbphilharmonie in March and April 2027.